little infinity

It’s been a second.

As in, 5 weeks on the road. And some. (Falmouth before, Kazakhstan and Iceland after).

But alas, the project is complete. (Or is it?) China. My Old Home. Homes. My peoples. All my relations.
As cheesy as it sounds,
“Is this really the end?
Or only the beginning.”

It’s been a whirlwind. Everyday, the stimulation. The sensory overload - not just of beauty, natural beauty, cityscape beauty (ugly, dirty, mundane, exquisite, fancy, real, surreal, beauty of all sorts) - but also the episodes of emotional sensory overload - of family, extended family, strangers, colleagues, the mysterious stranger of the self (?? little Tongtong, everyone’s beloved 2 years old, 8 years old Tongtong, the 30 years old concert pianist in qipao, the foreigner, the sister, the granddaughter, the aunt…)

What on earth?
Who do I be? For whom? For what?
And how?

How does one even process. All this. Allow it to become part of me. To remember, to honour, to carry forwards.

Well, perhaps this is a humble attempt. As I try, always, not to over sentimentalize, not to romanticize. But, what I’ve learned, if anything, is still - I just gotta be true to myself. That’s all. I can make space, somewhere, someday (Thank you, Iceland Ring Road). I can feel, just what I feel. (Thank you, Miyazaki/Genzaburo Yoshino’s How Do You Live).

And as always, I’m glad. As always, it’s a privilege. A responsibility and a gift. To still constantly be astonished, awed - that I am, and can be connected to so many unknowable blessings in miraculous, mysterious ways. It’s a blessing to notice, renotice, hear new stories, old stories, feel them course through my veins. To bear witness, to exist. Be there, here.

Thank you, everyone, every tree, plant, flower, building, dumpling, baozi, stranger, family, friend, that has been part of this journey.

Thank you, especially: my partner in crime, witnessing and supporting us through every step of this journey. Especially the moments in between, ‘good' and ‘bad’. You know.

Thank you, dearly. I will carry this, whatever this is, on and on in my heart.

Little infinity,
we give it back.

I will keep giving it back. For a long time to come.

xoxo

通通

Tong Wang

Tong Wang is a Canadian artist leading innovative initiatives across areas of performance, research, and community engagement. Her projects explore the role of art in relation to identity, culture, and current social-political issues. As a soloist and chamber musician, Tong has performed with the Edmonton Symphony Orchestra, Red Deer Symphony Orchestra, and ensembles across North America and Europe. As a multidisciplinary artist, she has written the libretto of a new opera, “Labyrinth of Tears”, funded by the Canada Council, FRQSC, and SSHRC, participated in the Napoule Arts Foundation Residency in France, and published an award-winning photo-essay in the literary magazine Carte Blanche. Her other projects include the creative performances “Song of Praise”, “Ghiblilane”, “Once Upon a Pumpkin”, and research on the aesthetic of “cuteness” in popular and classical music. Tong recently toured a recital on multiculturalism, “我们Us” in Lunenburg, Montreal, Basel, and presented the interactive concerts “We’re Not Really Strangers” and “My Neighbours Totoro and Claude!” at the Verbier Festival. In 2022, Tong launched the Windwood Music Festival in Airdrie, Alberta to engage with and support rural farming communities through classical chamber music. In 2023, Tong will be touring with Duo Perdendosi across eastern US & Canada, as well as with Duo Incarnadine in Turkey and China to premiere a new commission by Alice Ho, Four Impressions of China. Using diverse mediums, Tong aims to share the power of art to reach across time, languages, borders, and cultures to connect people and kindle a shared understanding.

https://tong-wang.com
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China Tour: Part 1 - Hong Kong

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