So what can we do?

We try our best to remind ourselves to be grateful for our privileges. The opportunities created for us by our families, by this land, by all the generations and cultures that have played a part in the story of forming this complex, multidimensional community.

I’ve often struggled with the role of an artist as being privileged or indulgent.

While there are so many issues and injustices in our world today, particularly highlighted by COVID, we are able to live this lifestyle filled with art and adventures and friends … the time, safety, energy, and resources to even consider these ‘projects’.

So what do we do?

We’re trying to understand. To keep searching for questions to ask, to be humble, hopeful, realistic, empathetic, aware.

We are here trying to bring light and hope in some tangible way. Is just the music enough? Or do we need to find some way to translates these concept beyond the music in to action?

While Song of Praise explores our Chinese heritage, it also uses the framework of multiculturalism to address some of challenges and problems in our current times.

Throughout the program, we encourage our listeners to reflect on these challenges, whether personal or public, spiritual or political, and to put this improved awareness into written words as a gesture of our collective wishes, efforts, and promises to build a better future, one slip of paper at a time.

Perhaps small, perhaps idealistic, but perhaps the gesture will plant a seed or nurture a healthier growth sometime, somewhere.

“The point is, art never stopped a war and never got anybody a job, that was never its function. Art cannot change events. But it can change people. It can affect people so that they are changed ... because people are changed by art – enriched, ennobled, encouraged – they then act in a way that may affect the course of events ... by the way they vote, they behave, the way they think.”

-Bernstein

Well, we are forever works in progress. Thank you for your effort and attention and sincerity to help us better understand one another. <3 Thank you for listening.

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Tong Wang

Tong Wang is a Canadian artist leading innovative initiatives across areas of performance, research, and community engagement. Her projects explore the role of art in relation to identity, culture, and current social-political issues. As a soloist and chamber musician, Tong has performed with the Edmonton Symphony Orchestra, Red Deer Symphony Orchestra, and ensembles across North America and Europe. As a multidisciplinary artist, she has written the libretto of a new opera, “Labyrinth of Tears”, funded by the Canada Council, FRQSC, and SSHRC, participated in the Napoule Arts Foundation Residency in France, and published an award-winning photo-essay in the literary magazine Carte Blanche. Her other projects include the creative performances “Song of Praise”, “Ghiblilane”, “Once Upon a Pumpkin”, and research on the aesthetic of “cuteness” in popular and classical music. Tong recently toured a recital on multiculturalism, “我们Us” in Lunenburg, Montreal, Basel, and presented the interactive concerts “We’re Not Really Strangers” and “My Neighbours Totoro and Claude!” at the Verbier Festival. In 2022, Tong launched the Windwood Music Festival in Airdrie, Alberta to engage with and support rural farming communities through classical chamber music. In 2023, Tong will be touring with Duo Perdendosi across eastern US & Canada, as well as with Duo Incarnadine in Turkey and China to premiere a new commission by Alice Ho, Four Impressions of China. Using diverse mediums, Tong aims to share the power of art to reach across time, languages, borders, and cultures to connect people and kindle a shared understanding.

https://tong-wang.com
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Special times call for special music - Lunenburg 2020

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