<3: Pumpkin magic preparations well underway!

pumpkin.jpeg

Finding the most sincere and meaningful way to create an experience together with the audience is always one of my goals, a challenging yet valuable process to bring to life the music, to build community, to share the power of art within the work and enlighten something, anything, within, without, connecting to ourselves, understanding ourselves, each other, the incomprehensible mysteries of the world.

There I go again. That’s why I’m obsessed with magic.

What is magic to you?

What is it about storytelling, magic, fairy tales that continues to capture my heart, passion, imagination, and artistic spirit?

  • memories, nostalgia

  • freedom/imagination

  • cuteness (innocence, nostalgia, play)

  • simplicity* (the hardest to achieve)

I stumbled across this quote on a new Netflix anime Blue Period “Awakening to the Joy of Painting”, and it touched me deeply. Although the show is about visual art, I feel the sentiment applies to all the arts.

“I thought marking art was a kind of magic that only a select few could use, but it doesn’t seem to be the case. Now that I’m drawing, the scenery I’ve always seen appears more clearly than before. I realized that there are many interesting things and ideas, when seeing it, you get to know it, when drawing it, you get to understand it. If I hadn’t made that drawing, I wouldn’t have noticed that.”

It’s the process, the noticing. That’s what we as artists are there to serve, as a portal to guide and facilitate this curiosity, imagination, attention, discovery. So how can I ask of your attention? That’s what I’m trying to find, what are the ways I can facilitate my audience entering into this magical world with me, to notice, to feel, to be filled with awe and wonder.

Some Teaching Artistry techniques I’ve learnt are coming into practice here, and I’m still experimenting, but this pilot for Once Upon a Pumpkin is already shaping up to be another fantastical experience! I'm setting up giant blow up LED pumpkin lights, scripting some fun surprises, incorporating a princess costume transformation, and planning out a cohesive collaborative art-making process throughout the concert the incorporates coloured polka dot stickers. Inspired by Yayoi Kusama’s installations <3. After the Ghiblilane concert I really realized how the time and care we put to craft the detailed design and storyline of a concert can affect all the nuanced feelings surrounding the experience.

All that said, please join me for another adventure where I will be sharing lots of asiantinkerbell magic glitter and love and joy and music! And candy yes yes yes~ If only I was allowed to bring homebaked pumpkin pie! The eternal love I have for pumpkins… xD the eternal X.D. face…

Sincerely as always,

xoxo

Derpy pumpkin princess

A little thought on the the title “Reminiscence of Snow White”… what is reminiscence?

Reminiscence: “a story told about a past event remembered by the narrator,” “the enjoyable (?) recollection of past events,” “a characteristic of one thing reminding or suggestive of another”

  • memories, recollections, reflections, remembrances

  • “to remember”: what does it mean to remember? to recreate, to rediscover, new within the familiar, that’s magic

  • seeing in new ways, with curiosity and wonder. Then there is magic in everything.

  • having realizations, connections with something

Shall we music and art? Shall we dream and reminisce?

Tong Wang

Tong Wang is a Canadian artist leading innovative initiatives across areas of performance, research, and community engagement. Her projects explore the role of art in relation to identity, culture, and current social-political issues. As a soloist and chamber musician, Tong has performed with the Edmonton Symphony Orchestra, Red Deer Symphony Orchestra, and ensembles across North America and Europe. As a multidisciplinary artist, she has written the libretto of a new opera, “Labyrinth of Tears”, funded by the Canada Council, FRQSC, and SSHRC, participated in the Napoule Arts Foundation Residency in France, and published an award-winning photo-essay in the literary magazine Carte Blanche. Her other projects include the creative performances “Song of Praise”, “Ghiblilane”, “Once Upon a Pumpkin”, and research on the aesthetic of “cuteness” in popular and classical music. Tong recently toured a recital on multiculturalism, “我们Us” in Lunenburg, Montreal, Basel, and presented the interactive concerts “We’re Not Really Strangers” and “My Neighbours Totoro and Claude!” at the Verbier Festival. In 2022, Tong launched the Windwood Music Festival in Airdrie, Alberta to engage with and support rural farming communities through classical chamber music. In 2023, Tong will be touring with Duo Perdendosi across eastern US & Canada, as well as with Duo Incarnadine in Turkey and China to premiere a new commission by Alice Ho, Four Impressions of China. Using diverse mediums, Tong aims to share the power of art to reach across time, languages, borders, and cultures to connect people and kindle a shared understanding.

https://tong-wang.com
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I dare you (and myself): be vulnerable to magic of affection. Let in the sweetness.

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