Snow White, finding magic...

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A year ago I was sitting in a cab on my way to JFK when the driver exclaimed “oh, it’s a global pandemic now!” March 11, 2020. I just turned a quarter century the day prior, and was in NYC for auditions. The world was strange, and only to get stranger.

We’re three months into this new year now, and while there has been fulfilling creative work and meaningful virtual connections with friends and family and art, I have to admit the past few days have been a particularly difficult slump. The usual birthday blues of melancholia and nostalgia mixed with exhaustion and circumstances of Covid to make for a peculiar, bleak, bland, bitter stew of feelings and non-feelings.

A particularly unmagical day. I didn’t even want to eat cake.

But, (yep - there’s always a ‘but’, thanks to my pink, yellow, hopeless-romantic goggles), somehow, by some miraculous blessed way, little gestures and gifts still found their way to warm my heart. Particularly a few messages from people profoundly dear to me that reminded me of the magic. The mysterious sparks of the universe. The words that encouraged me, or the Gifs that made me laugh, or the dialogues that allowed us to wallow a little in our grievances and bond over something both heavy and empty in our hearts.

I am so very very lucky, I can recharge my magic because of all the magic around this shared space of ours, all these incredible human beings and also birds and trees and spirits and imagination and of course - music, music, music. All the sounds, all the colors and smells and textures and art, all the ideas and strangeness and familiarity and overwhelming surges of emotions and connection with something larger that brings us to tears.

Not everyday we feel things, but it’s okay.

I still believe in magic and I love fairy tales.

How do we play music when we feel depressed and empty? Not sure. Sometimes the music reminds something within us, I hope. I hope something sparkles. I hope we notice the sparkles. Here are some glittering Disney tunes and derpy dwarfs.

Yours,

Asian Tinkerbell

Tong Wang

Tong Wang is a Canadian artist leading innovative initiatives across areas of performance, research, and community engagement. Her projects explore the role of art in relation to identity, culture, and current social-political issues. As a soloist and chamber musician, Tong has performed with the Edmonton Symphony Orchestra, Red Deer Symphony Orchestra, and ensembles across North America and Europe. As a multidisciplinary artist, she has written the libretto of a new opera, “Labyrinth of Tears”, funded by the Canada Council, FRQSC, and SSHRC, participated in the Napoule Arts Foundation Residency in France, and published an award-winning photo-essay in the literary magazine Carte Blanche. Her other projects include the creative performances “Song of Praise”, “Ghiblilane”, “Once Upon a Pumpkin”, and research on the aesthetic of “cuteness” in popular and classical music. Tong recently toured a recital on multiculturalism, “我们Us” in Lunenburg, Montreal, Basel, and presented the interactive concerts “We’re Not Really Strangers” and “My Neighbours Totoro and Claude!” at the Verbier Festival. In 2022, Tong launched the Windwood Music Festival in Airdrie, Alberta to engage with and support rural farming communities through classical chamber music. In 2023, Tong will be touring with Duo Perdendosi across eastern US & Canada, as well as with Duo Incarnadine in Turkey and China to premiere a new commission by Alice Ho, Four Impressions of China. Using diverse mediums, Tong aims to share the power of art to reach across time, languages, borders, and cultures to connect people and kindle a shared understanding.

https://tong-wang.com
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"If I've Been Enveloped in Tenderness" - Kiki's Wish

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Special times call for special music - Lunenburg 2020